Celebrating 2015

To help us count down to the New Year, we asked our Team for highlights from 2015 – some of their answers are below…

We also ask that you keep us in mind for your tax-deductible year-end giving, help keep these amazing memories coming for years to come.

After-School FunGH

Suddenly, and quite by surprise, I was surrounded by a group of girls! I was sitting during an observation of one of our Serious Fun after-school workshops, observing a group of second grade girls put finishing touches on their paper puppets and puppet stage. I must admit I have a love of puppets – all kinds from paper bag puppets, sock puppets to the bigger than life Bread and Puppet Theatre ones. So, I asked the group if they could show me how to make my own puppet! They all rushed over to me with paper, crayons, scissors and glue and helped me make ‘Wendy’ my puppet!

Gwendolen Hardwick
Artistic & Education Director

The Power of Drama with our Youngest StudentsDorcas

“The teacher in my ICT (inclusion) class said he had never seen this one student so focused, because he has serious processing/speech delays, he never participates. But that was news to me – because every time I’m in the classroom, doing a storytelling, asking questions and including him, he’s one of the first kids with his hand up.”

Dorcas Davis
Actor-Teacher, Early Learning Program

The Power of Drama with ProfessionalsKJ

“I didn’t feel like I did my best during my session in the CUNY Black Male Initiative Conference, but I was swamped as I left the stage. It’s the power of this work, it was very evident that people were hungry to critically think, to broaden their perspective, and to understand what we do. It was pretty awesome to entertain young people who had so many questions and professors who really wanted to get more information about the work we do. I’m still boggled by it.”

Keith Johnston
Director, College/Adult Program

Working with ParentsParents

“The first of 27 Parent Workshops for year 2 of our Astor program (NYCT Brooke Astor Fund for NYC Education) took place at PS 212 in Jackson Heights, Queens, which is just the epitome of Queens. We had parents who spoke Urdu, Tibetan, Chinese, Spanish… every language we could think of. As the workshop exploring play and literacy concluded, two of the parents from Tibet came up to me and said: ‘Can I take a picture with you please? Can I can I please?’ The principal came up to me afterward and said, ‘They NEVER talk. They never say a word.’”

Helen Wheelock
Director, Early Learning Program

Shakespearean MagicSSF

The NYC Student Shakespeare Festival is a highlight for me every year. 2015 was our largest Festival yet, with well over 800 students and 30 teachers participating. The mix of public and private schools was profound for the students – with many from our struggling schools showing such pride in performing on the Lortel stage and that they did so well without fancy costumes. A private school 5th grader noticed as well, writing: “I’ve learned that not all schools have as many opportunities as mine has. This showed me to use my opportunities wisely.” Two of the themes that stood out this year were pulled right out of current cultural shifts – two high school groups explored gay marriage and two elementary school classes focused on the Black Lives Matter movement, all through Shakespeare. Amazing.

Krista Fogle
Communications & Marketing Manager
NYCSSF Administrator

Retention After-Schoolretention

“One of the highlights for our Adolescent Literacy Program, a middle school program using drama to strengthen literacy – the contract has been around for a few years, so we’ve been at it for a while – this year, we have the highest number of students in each of our after-school programs, the highest retention rate that we’ve had in the past 8 years or so. I think that speaks to the quality of work that we’re doing.”

Brisa Areli Muñoz
Associate Program Director, Literacy Through Drama

Best PracticesSVP

A recent highlight for me was observing my School Violence Prevention team transform their classroom – a huge classroom, with more than 30 kids – while implementing their day 3 session which had been kind of a challenge in many different ways. They were just impeccable. It was wonderful to see the students reaching out, totally and completely engaged in the narrative. It was just great.

Outside of the classroom, our workshop during the NYSED School Violence Prevention Conference in Albany went extremely well. There were no breakout groups, icebreakers or other interactive opportunities, so it was up to us to create that kind of community feeling. Afterward, everyone was interested in our work, everyone wanted to collaborate. They all wanted to know how they could “get the drama involved.”

Carmen Kelly
Program Director, Special Projects

Seasons of CHANGEPC

“This is a big year for Project CHANGE, our Healthy & Wellness/HIV Prevention Program. After 5 years of amazing peer education & intervention, this contract is coming to a close. During the summer, current and past CHANGE Agents and CAT staff came together for a reunion to celebrate all we’ve achieved and to plan the closing year. We held our World AIDS Day event on December 4th at Medgar Evers College and, over a few hours, had more than 100 participants, 25 of whom got tested! As our last big event, it was a ton of fun.”

Lynnette Freeman
Actor-Teacher, Project CHANGE

Momentous MilestonesLZ

This summer marked the 20th anniversary of our Youth Theatre program and, this fall, the conclusion of our 40th year. Lynda Zimmerman, our Founder and Executive Director, on what has made the Creative Arts Team thrive: “There has been this wonderful confluence of those three C’s: Creativity, Commitment, and Collaboration. The Creativity has been from folks like yourselves whether they were artists, arts administrators and educators, who continue to take ideas and run with them. The Commitment was finding folks like yourselves, with the mind of an educator, the strength of an administrator and the heart of an artist. And the Collaboration is being able to find those partners, be they programmatic or financial, who are willing to back your vision. I think those three things have been what’s propelled CAT, with the understanding that we always have that clarity in our vision of using that power of drama to help young people learn about themselves and the world around them.”

YTThe Youth Theatre held its first ever performance in the summer of 1995 at a ragged little black box theater, down along the east side of Washington Square Park. A wildly diverse group of fifty or so city kids, from throughout the five boroughs, came together to create a piece of theater they themselves would devise. Most had little to no experience in acting or performance. Even fewer knew each other beforehand. None would guess the impact those few weeks would have on their lives. I should know – I was one of them, barely sixteen at the time. That was twenty years ago.

The importance of what the Youth Theatre does, and what it can mean to a young person, is impossible to overestimate. You come to it at an age where figuring things out can consume your whole being: who you are, who you want to be, where you want to go. You come in on a Tuesday afternoon, and for a few hours you maybe untangle some of that mess, and you work on weaving it into something else. Probably you don’t have much of an idea what it is you’re making. What you do know is you’re making it yourself, with power and ability you maybe didn’t realize you even had, and that counts for more than you can ever know at the time.

None of that has changed in the two decades since those first performances. Now, as it was then, I don’t doubt for a second those city kids look forward to Tuesdays from four to six thirty all week long, just as I did. I’m sure in twenty years’ time they’ll look back on their days in the Youth Theatre, and, like me, know just how lucky they were to find it when they did.”

Adam Rivera
CAT Youth Theatre Alum

We wish you a happy and healthy New Year!

Thank you for reading.


A Fond Farewell

CAT is certainly an innovative organization. The impact it has had on the field of education is profound. By incorporating its integration of participant-centered pedagogy while simultaneously meeting the direct needs of all the communities it serves, CAT has played a huge role in the ever changing dynamics of how education is facilitated in and out of the classroom.


Lexy, Rachel and family at CAT’s 2014 Holiday Party

What most people don’t see is the impact that CAT has on the people that work here. People in the “outside world” don’t get to see the support CAT’s leadership provides to its employees around family and self-care. People don’t get to hear the conversations of passion, anger, exhilaration around the various social issues we are all affected by. People don’t get to see the deep emotional connection CAT staff invest when developing their workshops. People don’t get to see the comradery that develops amongst us all working at CAT, making it feel more like family than just colleagues.

DSCN5643-s6 years ago I walked through CAT’s doors as part of the first cohort of the MA in Applied Theatre. I was excited about the new opportunity to apply what I had always been practicing (theatre for social justice) but never had a name for. Several months later I was blessed with the opportunity to be hired as a part time Operations Assistant where the incomparable David Mitnowsky was my supervisor. His eccentric ways and incredible humor automatically gave me a sense of belonging; giving me the space to just be me and not feel like I had to adapt to some sort of corporate way of being. After some time, I was able to move my way up and became a Program Manager supervised by Rachel Castillo, who taught me that the idea that participant-centered pedagogy not only applied to educators, but was a crucial practice for administrators and supervisors. She inspired me on a regular basis, helping me formalize and actualize my beliefs that women can be compassionate friends, mothers, and co-workers but also be super hard core impactful supervisors.


Lexy (left), Kat (right)

During my time as a Program Manager, I developed many deeply committed and intricate friendships; a first for me as an army brat who never had opportunities to invest in long term friendships. One of my most profound relationships developed with Katherine Chua Almirañez, who continues to see my strengths and passions and always worked towards pushing me to get out of my comfort zone. She always encourages me to achieve the things I secretly dreamt but never voiced simply out of fear of failure. From facilitating poetry workshops, to dancing on stage, to writing a play, Kat has given me opportunities to achieve what I thought was the unachievable.


Early Learning & After School Literacy Team

I finish my tenure here at CAT as the Early Learning & After-School Projects Director, where I have been able to work closely with Helen Wheelock and Brisa Muñoz. These amazing women have been incredible cheerleaders for me during the past year and, even in the moments I was struggling the most, they were there with bright eyes and big smiles to remind me “You are amazing. You are worthy.” Their positive attitudes and way of seeing the world has continued to inspire me and adapt the way I approach being a supervisor and overall human being.

DSCN8570sWhile I name specific people above, what I have come to realize is that I have worked in some capacity with almost every single person at CAT. I can identify a specific conversation with each of them that has literally changed my life. Every person here has helped shaped my view around parenthood, race, class, education, gender, and everything else under the stars. I certainly would not be the person I am today without the contributions of every person that I have encountered while working at CAT. And while I may be moving on to other opportunities, I know that I will always be carrying CAT and the wonderful lessons I have learned here with me. Thank you CAT for everything you have provided me. I will never forget any of you.

With the deepest of love and respect,

Lexy NisticoLexy-Nistico
Until yesterday: Projects Director,
CAT Early Learning & After School Programs
Now: Program Director, Manhattan Youth Community Center

At a company picnic with her daughter and CAT and CUNY staff

At a company picnic with her daughter and CAT and CUNY staff

Lexy and other CAT staffers have become serious runners over the past few years

Lexy and other CAT staffers have become dedicated runners over the past few years


Halloween 2014 (Lexy is the Jack Skellington in the center)

The Impact of Project CHANGE

In September 2015, I began working with the Creative Arts Team (Project CHANGE) and it has truly had a life-changing impact on me. At first I was not entirely sure about what the program would entail, but after doing research, I was eager to work with the other Agents to teach adolescences about sexual health. Project CHANGE is such an outstanding program that has a great impact on the lives of many, by using a more creative approach to educate and grasp the attention of adolescents in current issues pertaining to sexual health.

Over the course of the year, I noticed various changes which have improved my personal and academic skills. Project CHANGE has allowed me to better mold my time management skills. At first I wasn’t sure if I would be able to handle working at my full potential. Once I found a balance, where I was able to successfully plan and execute dates and events prior, I realized it was smooth sailing. I am now more efficient in balancing my academic and social life, while being able to successfully meet my responsibilities. Before working at Project CHANGE, I found it difficult at times to balance school, work, sports, and my social life; but now I am able to find a balance where I manage to complete various tasks that are required and not feel overwhelmed.


Chloe, circled, with Project CHANGE Agents and Staff

Project CHANGE is a family. I was welcomed with opened arms and included in all aspects. We have all grown together as a unit to make this project impactful. Each Agent supports one another and gives great reviews and advice on how we can all achieve our goals.  Project CHANGE has been a great support system, where everyone looks out for one another. We have supported each other in various plays, readings, and remarkable events. I did not know I would be entering into a caring, loving family that cares of the well being of each individual. When you are feeling overwhelmed or discouraged, you can confide in anyone there. Project CHANGE is a safe haven for the Agents.

While working with the Project CHANGE I am able to take the skills I have gained and use them even outside of Project CHANGE. One skill I have acquired is proper facilitation, which is beneficial when working with children. Outside of Project CHANGE I direct a drum corps, and the facilitation skills have allowed me to better teach my drum line. I noticed that I am better able to express various routines, and styles of playing, and that my students have a better grasp of what I explaining. Being at Project CHANGE allows me to not only be a better educator, but to place myself in the mindset of a student so I am able to give specific and clear instructions that everyone understands.

Not only has Project CHANGE educated me, it has encouraged me to educate my family and friends on their sexual health. I found myself being in school and stating statistics and important need-to-know tips on STDs, STIs and HIV/AIDS. I would then have my peers asking me questions and I was properly educated and able to answer. I’m able to derive the truth from a myth. Project CHANGE has given me knowledge that I believe all youths should be informed about, and it was a great pleasure to be able to share the knowledge.

Project CHANGE has allowed me to find a balance where I am able to complete various task without feeling overwhelmed. I am better at explaining various task and assignments. Project CHANGE has truly left an impact on my academic and social life that I will continue to carry with me. I am able to plan out a week or weeks of events in advance, and manage to balance classes, work, and everything else in between. As my Project Director Carmen Kelly would tell her agents, you have to find that balance. It isn’t easy and may be one of the most challenging aspect of college, but after being at Project CHANGE, it is a lot easier to find.

Chloe with CAT Executive Director, Lynda Zimmerman (left), and Project CHANGE Director, Carmen Kelly (right)

Chloe with CAT Executive Director, Lynda Zimmerman (left), and Project CHANGE Director, Carmen Kelly (right), at the CUNY Service Corps culminating event

Chloe Thomas-Bedeau
CUNY Service Corps Member
Assigned to CUNY/CAT: Project CHANGE

Showing, Telling, and Interacting: Presenting Theatre-In-Education… Theatrically

Claro & Mfoniso at TIOS  Photographer: Sobha Kavanakudiyil

Claro & Mfoniso at TIOS
Photographer: Sobha Kavanakudiyil

Marrying content (the subject of inquiry) and form (the artistic discipline) remains a central value in my endeavors as a theatre/film artist, educator, and cultural worker. This value solidified for me as a graduate student in the M.A. in Applied Theatre Program at CUNY SPS, and special credit goes to my applied theatre mentors: Chris Vine and Helen White, who offered a deep and practical study of what marrying form and content may look and feel like in practice. Moreover, as I continue to move forward in my work, I often return to the following quote by theatre scholar Anthony Jackson: “theatre that aims to educate or influence can truly do so only if it values entertainment, the artistry and craftsmanship that are associated with resonant, powerful theatre, and the aesthetic qualities that – by definition – will appeal our senses”. This quote, found in Jackson’s book Theatre, Education and the Making of Meanings Art or Instrument?, reminds me to never lose sight of the theatre form when sharing and implementing the work. It reminds me that the effectiveness of any artistic experience, regardless of the end goal, is directly related to the integrity with which one approaches the artistic form. In other words, it reminds me to wholly embrace the “theatre” aspect of the term theatre-in-education.

Mfoniso Udofia

Mfoniso Udofia

This past March, my co-facilitator Mfoniso Udofia and I had the honor of representing CUNY-CAT at the AATE New York Theatre in Our Schools (TIOS) Conference 2015 hosted by New York University. We presented a session outlining the Bronx History through Theatre: Resistance and Renaissance (BHTRR) curriculum which we created under the direction and guidance of CUNY-CAT‘s Artistic & Education Director, Gwendolen Hardwick. I spearheaded the TIOS application a few months prior because I felt immensely proud of the work we did on the BHTRR curriculum; I wanted more people to experience the work. BHTRR continues to be particularly significant for me because it was built on a collective passion to creatively, and theatrically, bring local history and culture into high school classrooms. BHTRR was intended to not only support the learning goals of the 10th grade English classes we serve in the Bronx, but also to integrate content that is more reflective of the culture and history of the students we serve.

Claro & Mfoniso at TIOS  Photographer: Sobha Kavanakudiyil

Claro & Mfoniso at TIOS, Photographer: Sobha Kavanakudiyil

Our session at TIOS, “Cultural Relevance in the Classroom: Integrating Local History (Social Movements and Hip Hop) through Theatre in the Bronx,” offered attendees a practical investigation of key selections of our curriculum. In attendance were students, educators, and others members of the broader theatre-in-education community. Aligned with the concept of marrying form and content, Mfoniso and I facilitated and performed samples of our curriculum, which engaged our attendees in various capacities. We asked our attendees to not only assume the roles of observers and peers, but also, at times, as student participants. We felt it was important for our attendees to have a “lived-through” experience because it would be the most effective method of clearly explaining BHTRR.

Claro & Mfoniso at TIOS  Photographer: Sobha Kavanakudiyil

Claro & Mfoniso at TIOS
Photographer: Sobha Kavanakudiyil

We closed our session with a short, insightful Q&A with our attendees. An educator from NYU seemed quite appreciative of the commitment that Mfoniso and I brought to the work as both facilitators and as performers. Another attendee, a public school teacher, shared how she was able to identify a good number of learning standards in our work and seemed quite interested in seeing history and theatre used in that fashion. Perhaps even more compelling was something that happened a few weeks later, at the NYC Arts in Education Roundtable’s Face to Face Conference. A graduate student stopped me in the hall, introduced himself and said he’d attended my workshop at the TIOS conference. He said: “thank you for that work. I’ve never really seen anything like that. You all were really performing.” I was very thankful for such positive feedback. Hearing his words reminded me how marrying form and content became, and continues to be, a central value to my practice; his words also reminded of the power of theatre and its ability to leave a mark on the memory of audiences and participants. As I continue to reflect and refine my practice, these reminders help support my view that the aesthetics of theatre is directly related to its effectiveness as a learning tool. I therefore continue to strive to create the kind of theatre experience that doesn’t compromise the aesthetics of the theatre discipline. I strive to make the type of theatre that is wrestled with and crafted, and I strive to do so no matter what circumstances I am working with.

Claro de los Reyes

Claro de los Reyes
High School Program

Editor’s note: CAT heard from one of the TIOS staffers that Claro & Mfoniso’s session reminded her of how powerful and effective it is to have a team of two teaching artists in the classroom, rather than one, which has been a long-standing CAT practice. Congratulations to the team for making an impact on conference attendees and organizers alike!

Discovering My Purpose and Passion… via CAT

Before the Parent Program, LCP was in the Early Learning Through the Arts Program (1994)

LCP in the Early Learning Through the Arts Program (1994)

It was 1992 when I received the invitation from the esteemed Creative Arts Team to become a full time Actor/Teacher. Little did I know how taking on this role would change my life. Like many actor/teachers at CAT, I was a theatre artist working towards that “big break” but needed to pay rent in the meantime. CAT opened up a new world for me, by showing me how drama can be used as an educational tool to explore social issues and enhance critical thinking. I became a sponge and wanted to learn everything I could about educational theatre. My purpose and passion for learning and teaching continued to grow as I watched the power of this work manifesting in classrooms all over the city and witnessed incredible “light bulb” moments and awareness from the young people involved.

CAT's Parent Program, with Keith Johnston (Director of the now-titled College & Adult Program)  on the left

CAT’s Parent Program, 2004

I had the privilege of working in many of the programs at CAT, while spending the majority of my time as the Director of the Parent Program. What I loved about CAT is that I never felt stagnant. CAT provided an environment that continued to push me out of my comfort zone. There was always space to grow and new opportunities to grasp. In addition to starting and building the Parent Program, I, along with other colleagues, participated in the Seeds of Peace program—working with groups in conflict—and I later became the Coexistence Director. I was also honored to be a part of a delegation to South Africa, using educational theatre to deal with issues around HIV and AIDS. These are just a few highlights that only scratch the surface of the boundless opportunities that I experienced with CAT.

Article about CAT's work in South Africa; The Natal Witness, 2000

Article about CAT’s work in South Africa; The Natal Witness, 2000

In 2005, after thirteen wonderful years at CAT, I decided to spread my wings and open a new chapter in my career. I transferred my skills into the corporate arena, and I am now at the top of my game, working as a corporate trainer. I attribute so much of my success to the richness of the training and experiences I received at CAT. Those years are simply unforgettable, as it was a time of accelerated learning and growth. However, what I remember and miss the most are the people. I had the privilege to work with some of the most talented, creative and passionate people ever. I am eternally grateful to everyone at CAT who generously shared their knowledge, talents and passion with me. I would love to list everyone, but I don’t want to miss anyone.

1998 CAT Staff Photo (LCP is circled)

1998 CAT Staff Photo (LCP is circled)

Linda & Lynda

Linda & Lynda

However I must acknowledge and thank Lynda Zimmerman, aka “Mama CAT,” for giving birth to this extraordinary organization.  An organization that continues to create a nurturing environment for artists to grow and be given a platform to impact change in the lives of many. Because of your vision, and because my skills are rooted in the strong foundation of CAT, my journey continues to expand. It is through the Creative Arts Team that I have discovered my purpose and passion to teach and have an impact on the lives of others. CAT will always have an indelible space in my heart.

Happy 40th Anniversary and may you continue to spread your wings for decades to come.  The world needs you!

LCP with Carmen Kelly (Director of CAT's Special Projects)

LCP with Carmen Kelly

Linda Carole Pierce
CAT Alumna, 1992-2005

Arriving at Full Circle

Books assembled by Natalie for Early Learning residencies

Books assembled by Natalie for Early Learning residencies

My year at CAT has been one of the most exiting rides of my life, where I gained knowledge, experience and fulfillment. Working at CAT has given me behind-the-scenes insight into After-School Programs and the administrative side of schools. While in the beginning of my year, when I was mostly involved with administrative duties, such as tracking students’ attendance, homework and progress, as well as other filing duties, I discovered that the behind-the-scenes work can be just as important as being in the classroom. Granted, it was a treat to see the work I did—creating templates for worksheets, book materials and puzzles—used in the classroom. I was able to see both sides of the same coin, but it was only near the end of my time at CAT that I was able to witness and experience first-hand what CAT sessions in the middle schools are really like.

Natalie, dressed for Halloween, with a puzzle she created for ALP students

Natalie, dressed for Halloween, with a puzzle she created for ALP students

When I first learned that I would return to my former middle school, I.S. 237, to observe CAT’s sessions via ALP (the Adolescent Literacy Program), I was ecstatic to say the least. Initially, I was only observing how the Actor-Teachers, Precious and Nicolette, facilitate their sessions—how, by utilizing games, activities and recreations, they integrate reading, listening, and critical thinking in the way a student encounters stories and social issues. Working alongside the Actor-Teachers revealed (to me) new and creative ways of teaching, by utilizing the arts to engage and motivate students to learn. The way that they facilitated their lessons made clear what they hope to achieve with the students. Not only was I able to participate in the sessions with them, I was able to put my own observations and understanding to the test by facilitating my own session with the students, with support from both Actor-Teachers.

I had grown used to the way that the students reacted to activities and, with the help of Precious and Nicolette, the session went off not only without a hitch, but became a very fun experience for the students… and me! Seeing the students’ faces come alive and watching how immersed they became in the discussions made my heart swell and I felt a sense of deep joy and fulfillment. I thought, this is what it means to be a facilitator, a teacher, an educator. NB-staffWhile I was only in the school for four short weeks, I feel like I have realized a passion for working with middle-school students. I am not only pleased to see CAT’s mission at work here in Queens, but I am grateful for the chance to have been a part of it.

Natalie BernabeNB
CUNY Service Corps Member
Assigned to CAT’s Early Learning
& Adolescent Literacy Programs

My CUNY Service Corps Experience

This school year, being a CUNY Service Corps member has been a whirlwind. With everything we had to do, from the interview process to the monthly workshops we have to attend, it took a lot of commitment to fulfill my duties as a Service Corps Member. The best part of being a Service Corps member this year was being placed with the Creative Arts Team for my service site.

Nya (center) with Helen and Lexy

Nya (center) with Helen and Lexy

Working at CAT was good work experience for me. Even though I am in school to be a dental hygienist and the program I worked with at CAT is an after-school program teaching literacy through drama, I was able to learn a lot that I can take with me in my career as a hygienist. This was my first office job, so I learned a lot of skills that one should know if they’re going to be working in an office setting, such as, working with Excel, and filing (I did a lot of this!). I also learned how to send professional emails and that you should email everything, even if it’s small (wrote plenty of these too). I was also able to join in on a couple of sessions of one of CAT’s many programs, Project CHANGE. Those sessions were a good way for me to break out of my shyness a little bit, with exercises like Pantomime. Other than that, the staff at CAT made it really easy for me to feel like I’ve been working there forever. They’re all very silly and down-to-earth, with personalities through the roof that made me feel really comfortable and at home. I guess it comes with being “creative individuals” or just plain ol’ happy people (feel free to start singing R. Kelly’s Happy People anthem).

Nya-2I am very grateful for all that I have learned and the relationships that have formed while working here. My supervisor, Lexy, has taught me the most while I’ve been at CAT. My other supervisor, Helen, who is the biggest kid at the office (I mean it in the best way possible), has a larger-than-life personality and always keeps the energy in the room. I am certainly going to miss those two saying my full name every other minute. I will also miss Carmen, the Director of Project CHANGE and the reason why I had hoped to be placed with CAT, for being so nice while I’ve been here and welcoming me into Project CHANGE; my office buddy Nicole showing me tons of pictures of cats; and my fellow Service Corps member, Natalie, sharing the experience with me. And to the rest of the CAT staff members, it was nice getting to know you and working alongside all of you, and it was my pleasure to be of some help to you all. I am going to miss being a part of this organization (I am starting to get a little teary-eyed as I write this blog) but I will come back to visit very soon!

Nya Jackson
CUNY Service Corps Member
Placed with CAT’s Early Learning & Adolescent Literacy Programs