Hi, Clara and Jasmin here! We are two students from the inaugural cohort of Sound Thinking NYC! We decided to come together to create this column to share some of our favorite pieces of music to all of our readers in hopes of expanding your palate. With our reviews of production, sound and background information, we hope to help you discover new music and artists that you normally wouldn’t listen to. Music is a very large area of opportunities and we hope through this monthly column, we could make it a little easier to get to know some great artists to watch out for! Thank you for reading! – J & C.
Review By: Jasmin Bota
Sweetener, the fourth studio album by American pop singer Ariana Grande, is an album full of symbolism. When this album was in the works, Ariana Grande had found herself feeling “upside down” due to her rough circumstances as a result of the Manchester terrorist attacks that took place during her world tour in 2017. This event seemed to put Grande into a spiral of dangerous situations regarding mental health and a need for eliminating the toxicity within her life.
Through this album, Ariana Grande speaks on mental health, abusive relationships, important friendships, her new fiancé and her road to recovery. Songs like “Get Well Soon” carry out the symbolic theme through its length of time. At the end of this song, Grande decided to add 40 seconds of silence to match the date of these attacks. Grande uses lots of harmonies and whispery singing to give the feeling of self-discovery and healing. So many harmonies were added to the point where Grande has admitted to maxing out ProTools various times! Produced by Pharrell, this album is an album of truth and promise.
Song: Get Well Soon
Artist: Ariana Grande
Review By: Clara O’Connell
Underworld, the fourth studio album by Australian rock band Tonight Alive, is a journey through the process of healing, both physically and spiritually. When the band went to Thailand to record, singer Jenna McDougall was suffering with chronic eczema, severe allergic reactions to food, and chronic fatigue and irritability. But she believed that these symptoms were physical manifestations of the emotional scars inside. The album addresses finding who you are, becoming that person, and loving that person.
In “Disappear,” featuring Lynn Gunn from PVRIS, McDougall sings of both being invisible and wanting to be invisible, a reflection of how the music industry treats women. “My Underworld,” a song with an amazing guest appearance from Slipknot’s Corey Taylor, is about coming to terms with your dark side; conversely “Looking for Heaven” is about finding a heaven within yourself. But each song on the record offers its own powerful message, whether it be about love of someone else or self-love, accepting your differences or being unapologetically you. Sonically, the album is a mixture between their earlier work and their 2016 release, Limitless. At the time of its creation, Limitless was the album that their previous label, Sony Music Australia, was wanting from them. It was a departure from the pop punk sound that Tonight Alive was known for; instead, it offered a more polished, poppier sound. Switching to Hopeless Records, the band had more control in the process, which allowed them to combine and change their sounds in a more comfortable way.
Underworld offers both the head-banging, yelling moments of their first two records, and the danceability of Limitless.
Album: Underworld, Hopeless Records
Artist: Tonight Alive